olfactory art / smell art / olfactory installation / smell extraction / the sense of smell and taste experimentations / food art / smell diary
www.ueda.nl for portfolio
Finally the catalogue is ready to order: "Olfactory Games 2009-2018" by Maki Ueda | Blurb Books. It contains 45 works made by the students in my course on olfactory art. Curatorial text contributed by Caro Verbeek. Appreciating all the students participated in my class. (The book price is purely the printing cost - you can order one globally from the nearest Blurb distributor)
OLFACTORY LABYRINTH VER. 5 - INVISIBLE FOOTPRINTS -is a finalist for the Art and Olfaction Sadakichi Award for Experimental
Work with Scent.
Olfactory Labyrinth is a series of space installation for researching space exploration navigated by the sense of smell. This installation questions our abilities of a scent-driven and spatial
form of communication in relation to the abilities of other creatures. More details
The Art and Olfaction Awards are designed to raise interest and awareness
for independent perfumers, artisan perfumers, and experimental practitioners with
scent on an international scale. By shining a spotlight on perfumery’s most
outstanding creators, we hope to help generate support for independent practices in
scent, as a whole.
Tangible Scents - Composition of Rose in the Air - has been shortlisted as a finalist in the Sadakichi Award for Experimental Work with Scent, at the 6th annual Art and Olfaction Awards.
Judged by an international pool of curators, designers, theorists and artists, Tangible Scents - Composition of Rose in the Air - is one of five total finalists in this category.
Awarded to just four perfumes, one experimental scent project and three discretionary awards a year,The Art and Olfaction Awards are designed to raise public interest and awareness around new developments in independent perfumery. The Awards, established in 2014 by the Institute for Art and Olfaction, are given to outstanding creators in the categories of independent, artisan, and experimental perfume from across the globe, chosen for perfumes and experimental projects with scent released in 2018.
The sixth annual Art and Olfaction Awards events will take place in a public ceremony at Oude Kerk on May 2, 2019. Oude Kerk is a historic church founded in 1213, and the city’s oldest building. Located in the heart of Amsterdam’s Red Light district, the space is now one of Amsterdam’s most prestigious cultural centers.
Each Art and Olfaction Award winner will receive The Golden Pear, which continues to cement its status as a prestigious achievement in the perfume world.
Tangible Scents - Composition of Rose in the Air - is an open-air installation which uses Maki Ueda's original method of “de-and re-construction in the air” to decode on the scent of rose. The five major components of the this scent are individually infused into vats of soap, which will each be poured into five different bubble machines. You can deconstruct rose into its component scents by poking the bubbles, or immerse yourself in the total scent. (curator: Aersen Lease, artistic director for the Reed Arts Week Festival 2018)
Olfactory artist Maki Ueda (JP/NL) considers smell a ‘new media’. In her practice, she minimizes the influence of other senses in order to center the spectator’s attention on her fragrant gestures. In addition to her own creative work, she has also taught a course on olfactory art at the ArtScience Interfaculty of The Royal Academy of Art, The Hague (NL) since 2009. While Ueda is currently based in Okinawa, Japan, she works all over the world.
The Art and Olfaction Awards was founded in 2012 as an independent awards mechanism designed to celebrate innovation and excellence in artisan and independent perfume, and experimentation in scent within arts practices. The Art and Olfaction Awards are a program of The Institute for Art and Olfaction, a 501(c)3 non-profit based in Los Angeles, CA.
Presenting partner: IFF
Partners: Lucky Scent / Scent Bar, Pochpac, Perfumer’s Apprentice, Discount Vials, Esxence Scent of Excellence, Nez – La Revue Olfactive, Scent Culture Institute and Autumn Seventy Design Studio.
The Institute for Art and Olfaction is a 501(c)3 non-profit based in Los Angeles, CA.The Institute for Art and Olfaction advances public and artistic engagement with scent.We do this by initiating and supporting arts projects that utilize the medium of scent, by providing accessible and affordable education in our experimental laboratory as well as in partnership with institutions and community groups, and by celebrating excellence in independent and artisan perfumery through our yearly award mechanism, The Art and Olfaction Awards.Through these efforts, we extend the world of scent beyond its traditional boundaries of appreciation and use.
I'm pleased to announce that my course Olfactory Games (Smell and Art) has become a finalist in the 5th Art and Olfaction Awards.
This time I didn't submit my own work but "a course". I never expected that it would make it, to be honest. I appreciate the judges that made a unique decision. Applause to my colleagues at ArtScience, and all the students who participated in the course! We never stop creating new games.
Some of the students will give presentations at the pre event Experimental Scent Summit on 18-19 Apr 2018 in London. Award ceremony (gala) is on the 21st of Apr.
photo: Lucia Guglielmetti
Olfactory Games
Maki Ueda started her olfactory art course Smell and Art in 2009 at the ArtScience Interfaculty. In the course students learn a conceptual and abstract approach to the medium of smell. The use of smell goes beyond the representational use and focuses on its qualities and experience without a need for a narrative or context. The students are challenged to develop olfactory games using this approach. Furthermore, they learn chemical skills by extracting and composing smells to support their creations. The game format challenges our imagination: while we always have limited fragrance materials, we never stop thinking of new games. The Japanese traditional olfactory game Kodo is a good example of this.
Maki Ueda is an olfactory artist who explores olfaction with an abstract and conceptual approach. She was the World Technology Awards finalist in 2009 (category: art), and the Art and Olfaction Awards finalist in 2016 (Sadakichi Award). She is a guest teacher at ArtScience Interfaculty of the Royal Academy of Art and Royal Conservatoire, The Hague, The Netherlands. Maki Ueda is currently based in Okinawa, Japan. www.ueda.nl
Course conception: Maki Ueda
Participating students: June Yu, Lauren Jetty Howells-Green, Kay Churcher, Sophia Bulgakova, Ana Oosting, Abel Fazekas, Ilia Lukovnikov, Vera Khvaleva, Sunna Svavarsdottir, Mischa Lind, Stefano Zucchini, Georgia Kosmatou, Koen de Groot, Tudor Ulrich, Anni Nops, ...and all the students participating in the past courses.
Course given at: ArtScience Interfaculty of the Royal Academy of Art and Royal Conservatoire, The Hague, The Netherlands
MILAN— We are pleased to announce the nominees for the 2018 Art and Olfaction Awards, which we made public in a special press event at Esxence, in Milan, on April 5, 2018.
Awarded to just four perfumes, one experimental scent project and two special awards — the Aftel Award and the Contribution to Scent Culture — a year, The Art and Olfaction Awards are designed to raise public interest and awareness around new developments in independent perfumery. The Awards, established in 2014 by the Institute for Art and Olfaction, are given to outstanding creators in the categories of independent, artisan, and experimental perfume from across the globe, chosen for perfumes released in 2017.
The fifth annual Art and Olfaction Awards events will take place in a public ceremony at The Tabernacle. Continuing the tradition of holding the awards in unique locations in different perfume capitals of the world, the Tabernacleis a Grade II-listed building in Powis Square, Notting Hill, west London, England, built in 1887 as a church and converted into an arts center in the 1970s.
Each Art and Olfaction Award winner will receive The Golden Pear, which continues to cement its status as a prestigious achievement in the perfume world.
As with past years, our panel of esteemed judges includes luminaries from the perfume and art worlds. The members of the Art and Olfaction Awards 2018 jury include: Andy Tauer (Switzerland), Antonio Gardoni (Italy), Christopher Gordon (USA), Grant Osborne (UK), Harald Lubner (Germany), Josh Meyer (USA), Sarah McCartney (UK), Andreas Wilhelm (Switzerland), Bibiana Prival (USA), Dana El Masri (Canada), Dawn Spencer Hurwitz (USA), Matthias Janke (Germany), Ulrike Knöll (Germany), Spyros Drosopoulos (Netherlands), Cristiano Canali (France/Italy), Denyse Beaulieu (France), Helder Suffenplan (Germany), Jeanne Doré (France), Katie Puckrik (England), Luca Turin (Greece), Mark Behnke (USA), Ashraf Osman (Switzerland), Caro Verbeek (The Netherlands), Darin Klein (USA), Sarah Baker (England), Simon Niedenthal (Sweden)
Zoe Crosher (USA), Frederic Jacques (USA), Hall Newbegin (USA), Mandy Aftel (USA)
The Art and Olfaction Awards was founded in 2012 as an independent awards mechanism designed to celebrate innovation and excellence in artisan and independent perfume, and experimentation in scent within arts practices. The Art and Olfaction Awards are a program of The Institute for Art and Olfaction, a 501(c)3 non-profit based in Los Angeles, CA.
The Art and Olfaction Awards could not exist without the generous support of our partners at Lucky Scent / Scent Bar, Pochpac, Perfumers Apprentice, Esxence, Barrister and Mann, Aftelier Perfumes, Nez – La Revue Olfactive, Basenotes, ÇaFleureBon, AutumnSeventy, Perfumed Plume Awards.
The Institute for Art and Olfaction is a 501(c)3 non-profit based in Los Angeles, CA.The Institute for Art and Olfaction advances public and artistic engagement with scent.We do this by initiating and supporting arts projects that utilize the medium of scent, by providing accessible and affordable education in our experimental laboratory as well as in partnership with institutions and community groups, and by celebrating excellence in independent and artisan perfumery through our yearly award mechanism, The Art and Olfaction Awards.Through these efforts, we extend the world of scent beyond its traditional boundaries of appreciation and use.
2018.03.03 Sat - 04.01 Sun Sun&Mon 11:00~18:00 Wed-Sat 14:00~20:00 closed on Tue
There was a time when textiles were precious goods. Actually, a time not so long ago. Yarns were spun and woven together by hand. And yet not everyone could get his hands on bigger pieces of fabric. So one had to make due with what one got and sew together fabric scraps to make clothes to wear or futons to sleep on. That's what you find in the BORO collection: textiles that were handed from one generation to the next, with seams having been mended here and holes having been patched with fabric scraps there. You will be surprised by how vibrant, how full of life these textiles are. As were designers at Louis Vuitton, COMME des GARÇONS and KAPTIAL, who all were inspired by BORO.
Not art works but not fashion either, these textiles, as they now exist in front of us, were born out of necessity. As was their design. That is what makes them so convincing, so real. They give us access to an idea of beauty and aesthetic pleasures different from textiles produced for the aristocracy or the wealthy.
In times such as ours, were money is spent on the redevelopment of Tokyo before pompous Olympic Games instead of earthquake victims, where the country's leaders cheerfully buy weapons of mass destruction, we might take a look back at our roots. Wasn't it textiles like these, that our grandmothers and great-grandmothers, 50, 60 years ago, there in the dark, silently sewed, mended, patched after we went to bed? Where is Japan heading? Is our way of life right the way it is? That's what we should ask these textiles.
Atsuko Barouh, December 2017
This exhibition will feature parts of Gallery Kojima's collection of indigo dye BORO as well as works by cardboard sculptor Honno Genta and MAKI UEDA, who experiments with fusing scents and visual art. Come and take home with you some new stimuli for your eyes, nose and hands!
I'll be in The Netherlands in the later half of September, giving a course at Art Science Interfaculty of Royal Academy of Art, The Hague. http://smellart.blogspot.com In a meanwhile I'll be giving a workshop at Camerajapan Festival in Rotterdam, on The Tale of Genji on the 23rd of Sep. https://camerajapan.nl/event/the-smell-of-the-tale-of-genji/ Also I'll be attending Odorama at Mediamatic on the 21st of Sep. Back to Japan on the 3rd of Oct. On the 12th of Oct, I'll be giving a lecture at Keio University SFC where I graduated from! Olfactory magazine NEZ will be published wherein my works are reviewed. I'll also be making a show, or premier of new (but prototype) installation at my home base, Ishigaki Isl, somewhere in Oct. In Nov, a presentation is planned in Tokyo (17th?)
Exposition et une série d'ateliers franco-japonaises par les artistes olfactifs sur le parfum de Kyoto
Franco-Japanese exhibition and a workshop series on the scent of Kyoto, by two olfactory artists
Les deux artistes olfactifs, le Français Boris RAUX et la Japonaise Maki UEDA, présentent chacun ses œuvres et performances inspirées du parfum et de l'arôme de Kyoto.
The two olfactory artists, French Boris RAUX and Japanese Maki UEDA will each present their works inspired by scent/perfume/smell/ of Kyoto.
Date / Term
[sat.] December 19 - [sun.] December 27, 2015 12h00 - 20h00
Venue
Kyoto Art Center , dans la pièce de style japonais "Meirin" / the Japanese style room "Meirin"
Artistes présentés / Artists
Boris RAUX, Maki UEDA
Curatrice / Curator
Yoko IWASAKI
Les événements de l'exposition / Related events
Samedi, 19 décembre Vernissage: 17h00- Conférence de Yoko IWASAKI: 18h00- Atelier de Maki UEDA "KYOTO LOVE STORY": 19h00-
Dimanche, 20 décembre Atelier de Maki UEDA "KYOTO LOVE STORY 2nd": 14h00-
Saturday, December 19 Opening: 17:00- Lecture by Yoko IWASAKI: 18:00- Maki UEDA workshop "KYOTO LOVE STORY": 19:00-
Sunday, December 20 Maki UEDA workshop "KYOTO LOVE STORY 2nd": 14:00-
(1) March 15th, opening of the exhibition "" (exhibition continues to 26/04/2015) RAM Foundation, Rotterdam, The Netherlands http://www.ram-art.nl/
Title: Olfactory Memory Game Year: 2010 Memory, also known as Concentration is a card game in which all of the cards are laid face down on a surface and two cards are flipped face up over each turn. The object of the game is to turn over pairs of matching cards. These cards have no images but scents.
(2)
March 22nd, opening of the exhibition "There is something in the air" (exhibition continues to 26/07/2015)
It's a small, yet life-size maze designed for playful olfactory exploration that challenges your sense of smell. If you follow the right scent, you will manage to get out of the space. Otherwise you will be stuck in the maze. In recent years my key words have been "movement" and "olfactory experience". I've been researching omni-directional olfactory experiences within a certain space. The sensations created by actively walking around and finding smells are very different from just passively receiving smells.
I’ve wanted to make such life-size "olfactory labyrinth" for years. But I first experimented at low cost, resulting in this first prototype in 2013: an installation with bottles hanging from the ceiling in a grid. Each bottle contains fragrant oil. The candle rope by which it hangs from the ceiling gradually absorbs the oil and spreads the scent around the space.
The main focus is the olfactory experience rather than the scent itself. I think that smell is, in itself, neutral. It's the audience who attribute meanings such as "I dislike this smell" or "This is the smell I knew from my grandma's house" after processing olfactory information in their brains. Such meanings to smells are given from personal experiences and histories. This is why I chose not to give meanings to smells in this project.
I rather want to be open to surprising olfactory experiences that we normally wouldn’t encounter in daily life. Omni-directional olfactory experience has been forgotten in our modern life, so reviving it is especially interesting. You can become convinced that human beings, much like dogs, have the ability to sniff around and navigate themselves using their sense of smell.
I try to exclude visual and audible aspects in my works as much as possible. I let the work explain itself rather than doing so in words. Instead smells and space communicate with your physical sensations, allowing you to project images and play sounds in the mind. I believe that smell possesses such power.
An exhibition to remember 100 years first gas attacks World War 1
The Smell of War will shed light on the first gas attacks in World War 1 and deals with the fascinating phenomenon of odour and thereby goes beyond the usual museum based form of experiencing art. International artists from the present day demonstrate that scent can really be context and /or concept of the work. Scents evoke memories and so also emotions and associations, but let the beholder also re-think and reflect about the context of the work. The exhibition begins with a historical representation of the first gas attacks. The main focus of the exhibition however lies on the olfactory artworks about gas attacks and chemical wars, as well as on the not-smelling aspect by protection of gas masks. So we also show works that smell of nothing at all and in which the odour is only conjured up by the visitor’s imagination, or translated as an odour through the image. The exhibition will be supplemented by a publication as well as a varied supporting program, consisting of guided tours, talks and workshops.
- A series of amuses for the five senses, with an accent on the sense of smell - Inspired by Japanese kitchen and molecular gastronomy
Come to Maki’s little atelier and savour her mini-artworks to smell and taste. Extraordinary mini-cocktails and snacks, influenced by molecular gastronomy, with a Japanese touch. UEDA Maki is one of the few artists in the world using smell as a medium. Her interest lies in the scent in the real life, such as the smell of space, the smell of food and drink, the smell of a person, and the smell related to the memories. A CAMERA JAPAN favourite, she has presented her smell and taste related projects and installations worldwide.
Thu 04/10: 19:00-19:45 and 21:30-22:00 Sat 06/10: 19:00-22:00
[MENU] (1) Treat for the eyes Cherry blossoms jelly (agar-agar-base) with green tea syrup and gold flakes
(2) The sense of a taste experiment A small experiment for the sense of taste (and smell). Close your eyes and pinch your nose. Can you distinguish a slice of orange from apple?
(3) Flavor synthesizer Eat or smell? Savor "umino-sachi", the sea flavor, but with your nose. Oyster perfume with soy sauce.
(4) Inner body concert Eating is actually quite noisy! Wear ear plugs and eye shades. Player: Japanese cracker with nori seaweed.
(5) Sensation Test tube cocktail - chardonnay and sansho pepper, with some surprise.
* Preferably no perfume please * Suitable for vegetarian and vegan (if only inhaling)
Come to Maki’s little atelier and savour her mini-artworks to smell and taste. Extraordinary mini-cocktails and snacks, influenced by molecular gastronomy, with a Japanese touch. UEDA Maki is one of the few artists in the world using smell as a medium. Her interest lies in the scent in the real life, such as the smell of space, the smell of food and drink, the smell of a person, and the smell related to the memories. A CAMERA JAPAN favourite, she has presented her smell and taste related projects and installations worldwide.
ARTIST TALK at Museum Boijmans Van
Beuningen feat. UEDA Maki & USHIDA Yuya
An extendable sofa made out of 7770 wooden chopsticks and a perfume called the ‘Scents of Holland’. These are only two of the countless creations by industrial designer USHIDA Yuya and olfactory artist UEDA Maki who will discuss their work in person. Joining the two of them, will be Noor MERTENS, the curator of Museum Boijman’s recent ON Kawara exhibit, to talk about the oeuvre of this renowned Japanese conceptual artist.